Why your couch is the best seat in the house this summer
Let's be real: sometimes the biggest barrier to a world-class arts experience isn't the distance to the theater or the dress code, it’s the sheer logistics of life. Between the Bay Bridge traffic, the hunt for a parking spot that won't result in a ticket, and the reality of a $100 ticket price for a family of four, "high art" can often feel like it’s behind a velvet rope. But this July, Smuin Contemporary Ballet is cutting that rope and bringing the stage to your living room.
Through three distinct "Digital Replays," Smuin is offering a masterclass in accessibility. Each performance is streamed for 10 days, allowing for unlimited viewing at your own pace (Smuin Contemporary Ballet) [1]. Whether you’re a lifelong balletomane or someone who thinks "pas de deux" is a fancy French appetizer, this digital season is designed for you. At the McFadden Finch Foundation for Community Enrichment (MFFCE), we believe that arts and culture in Oakland shouldn't be a luxury, they should be a foundational part of our Oakland community enrichment efforts.
By leveraging digital platforms, we are seeing a shift in how creative work reaches the people who need it most. This isn't just about convenience; it’s about equity. When we lower the barrier to entry, we invite more voices into the conversation, specifically supporting youth development in Oakland by showing young creatives that the world of professional dance is within their reach, and their living rooms.
In this guide, you will learn:
- The full lineup of Smuin’s July Digital Replays, including pricing and bundling discounts.
- The measurable impact of digital arts access on community resilience and educational outcomes.
- How MFFCE is partnering with local leaders to ensure Oakland remains a visionary hub for the arts.
Sinatra on the screen: Fly Me to the Moon
The July season kicks off with a heavy hitter. From July 3 to July 13, audiences can stream Fly Me to the Moon, a crowd-favorite choreographed by the late Michael Smuin (Smuin Contemporary Ballet) [1]. Set to the iconic tunes of Frank Sinatra, this ballet is the perfect digital companion for the July 4th holiday weekend. It’s light, it’s athletic, and it’s unashamedly entertaining, exactly what Michael Smuin intended when he founded the company in 1994 to create "a truly American company" (Smuin Center for Dance) [10].
What makes this specific replay special is the added context. On Thursday, July 9, at 5:30 pm, viewers can jump on a Zoom Q&A with Artistic Director Emerita Celia Fushille (Smuin Contemporary Ballet) [1]. For a student interested in youth development in Oakland, hearing directly from the woman who steered one of the Bay Area’s leading dance companies for 17 years is invaluable. Fushille didn't just maintain the status quo; she expanded the company’s reach and secured its permanent home in 2019 (SF Classical Voice) [13].
Digital replays like this provide a unique "study guide" feel. You can pause, rewind, and analyze a specific leap or transition. This type of deep engagement is often lost in a one-time live performance but is essential for those looking to build their own creative skills.
Serrating the familiar: The mystery of Jane Doe
Following the Sinatra swing, the tone shifts dramatically from July 10 to July 20 with Jane Doe, choreographed by Andi Schermoly (Smuin Contemporary Ballet) [1]. This piece premiered in the spring of 2026 as part of the Future Forward series, and the critical response was nothing short of electric. Writing for ODC Dance Stories, Garth Grimball noted that Schermoly found ways to "serrate the familiar," upending traditional ballet structures to deliver something visceral and human (ODC Dance Stories) [4].
Jane Doe explores personhood and universality through sharp, full-bodied movement. In a city like Oakland, where social justice through arts is a lived reality, work like this resonates deeply. It challenges the viewer to look past the surface, an essential skill for any changemaker. The costumes by Chris Dunn and lighting by Jim French create a world where dancers feel both intimately close and hauntingly removed (ODC Dance Stories) [4].
For the MFFCE, supporting digital access to works like Jane Doe is a matter of equity in arts. We know that representation matters. Seeing a diverse company tackle complex, modern themes through a digital medium makes the art form feel current and vital, rather than like a museum piece. It’s about ensuring that East Bay cultural events are as diverse and dynamic as the people who live here.
Crystalline beauty: Still Falling
The July trilogy concludes with Amy Seiwert’s Still Falling, streaming from July 17 to July 27 (Smuin Contemporary Ballet) [1]. Seiwert, who recently stepped into the role of Artistic Director, is known for a style that is "refined and elevated," according to the San Francisco Chronicle (SF Chronicle) [3]. Her latest work takes the viewer into a "universe of crystalline beauty," blending sculptural clusterings with complicated partnering that feels liberated and light (SF Chronicle) [3].
Rachel Howard’s review highlighted a "sprightly section" that brings to mind the playfulness of Jerome Robbins, yet maintains Seiwert's distinct, modern thumbprint (SF Chronicle) [3]. This piece represents the evolution of Smuin, honoring the past while pushing aggressively into the future.
For many in our community, especially those navigating the community impact of recent budget cuts to the arts, Still Falling is a reminder of the resilience of the creative spirit. When the City of Oakland had to slash arts funding, it was foundations and community-based organizations that stepped in with over $600,000 in emergency grants to keep the lights on for over 600 local artists (East Bay Community Foundation) [11]. Providing digital access to Seiwert's work ensures that this resilience is visible and accessible to everyone, regardless of their zip code.
The data: Why digital access isn't just a "nice-to-have"
There’s a common misconception that digital arts engagement is a "lesser" version of the real thing. The data tells a different story. According to a 2022 National Endowment for the Arts (NEA) study, consuming the arts digitally is actually positively associated with in-person attendance (NEA) [8]. People who engage with arts online are more likely to attend live events later, proving that digital access is a vital gateway for arts access and community engagement.
Furthermore, for youth development in Oakland, the stakes are high. National data shows that low-income students who are highly engaged in the arts have a dropout rate of just 4%, which is five times lower than their peers with low arts involvement (Americans for the Arts) [7]. By providing a low-cost ($20) entry point to world-class ballet, Smuin is effectively supporting graduation rates and long-term career aspirations for Oakland’s youth.
| Metric | Digital Performance (Smuin) | Traditional Live Performance (Avg) |
|---|---|---|
| Ticket Price (Single) | $20 [1] | $65 – $125 |
| Viewing Window | 10 Days (Unlimited) [1] | 2 Hours (One-time) |
| Accessibility Barriers | Internet Connection | Transport, Parking, Childcare |
| Impact on Live Attendance | Positive Gateway (NEA) [8] | N/A |
| Youth Graduation Link | 5x Lower Dropout Rate [7] | 5x Lower Dropout Rate [7] |
This table illustrates the economic empowerment of the digital model. When you buy access to two or three replays, you save an additional 15% (Smuin Contemporary Ballet) [1]. For a community foundation like MFFCE, this is a clear win for Oakland community enrichment.
Community Spotlight: The Ripple Effect in East Oakland
Consider the story of a high school junior in East Oakland, let’s call her Maya. Maya is a talented visual artist, but her exposure to professional dance has been limited. Through an MFFCE-funded program at her school, she was given a stipend and materials to build her portfolio (4Pt0 Oakland) [14]. When her mentor shared the link to Smuin’s Digital Replays, Maya was able to watch Still Falling from her phone during her commute.
The "crystalline beauty" Seiwert captured on stage became a reference point for Maya’s next painting. The digital format didn't just "show" her a dance; it gave her the agency to pause the screen and sketch the lines of a dancer’s reach. This is how arts and culture in Oakland creates a ripple effect. It’s not just a performance; it’s raw material for the next generation of changemakers.
Maya’s experience reflects what the Urban Institute calls "cultural vitality", the evidence of creation and participation that is empirically linked to economic development and social cohesion (Urban Institute) [15]. By making these replays available, Smuin is contributing to the "presence of opportunities" that define a thriving neighborhood (Urban Institute) [15].
A Timeline of Smuin and Oakland's Creative Evolution
- 1994: Michael Smuin founds Smuin Ballets/SF with a vision for "American ballet" (Smuin Center for Dance) [10].
- 2007: Founder Michael Smuin passes away; Celia Fushille is named Artistic Director (SF Classical Voice) [13].
- 2009: Fushille sets goals to bring in major outside choreographers and nurture internal talent (SF Classical Voice) [13].
- 2019: The Smuin Center for Dance opens in San Francisco, providing a permanent home for innovation (Smuin Center for Dance) [10].
- 2020-2022: The global pandemic forces a shift to digital programming, inadvertently creating a successful model for broad accessibility.
- 2024: Amy Seiwert succeeds Celia Fushille as Artistic Director, marking a new era of leadership (Smuin Center for Dance) [10].
- Spring 2026: Jane Doe and Still Falling premiere to critical acclaim as part of the Future Forward series (ODC Dance Stories) [4].
- June 2026: The City of Oakland restores funding to the Cultural Affairs Division after a successful advocacy campaign by local arts leaders [16].
- July 3, 2026: Smuin’s July Digital Replay series launches with Fly Me to the Moon (Smuin Contemporary Ballet) [1].
- July 9, 2026: Live Zoom Q&A with Celia Fushille provides direct community access to artistic leadership (Smuin Contemporary Ballet) [1].
- July 27, 2026: The digital season concludes, having reached thousands of households across the East Bay.
What Smart Critics Argue
Some traditionalists argue that digital streaming is a "diminished" experience. They claim that without the shared energy of a live audience, ballet loses its soul. While we agree that live performance is unparalleled, this argument often ignores the structural inequities that prevent thousands of Oakland residents from ever entering a theater.
Another critique is the "digital divide." Critics point out that roughly 157 million Americans lack reliable high-speed internet, making "digital access" a misnomer for many low-income families (Urban Institute) [15]. This is a valid concern, and it is precisely why MFFCE focuses on neighborhood revitalization that includes digital literacy and infrastructure. We don't view digital replays as the only solution, but as a critical tool in a larger toolkit for social justice and community resources.
Finally, some worry about "subscription fatigue." In a world of Netflix and Disney+, is there room for a $20 dance stream? The response from the community has been a resounding yes. The specificity of Smuin’s work, its local roots and contemporary edge, makes it a unique offering that people are willing to support, especially when they know their ticket helps sustain a nonprofit arts organization.
Key Takeaways
- Smuin is offering three Digital Replays this July: Fly Me to the Moon, Jane Doe, and Still Falling (Smuin Contemporary Ballet) [1].
- Streaming access is $20 per replay, with a 15% discount for bundling two or more (Smuin Contemporary Ballet) [1].
- Each replay is available for 10 days, providing unlimited, flexible viewing for busy families.
- Digital arts access is a proven gateway to in-person attendance, not a replacement for it (NEA) [8].
- Engagement in the arts is linked to a 5x lower dropout rate for low-income students (Americans for the Arts) [7].
- Celia Fushille will host a live Zoom Q&A on July 9, offering rare behind-the-scenes insights (Smuin Contemporary Ballet) [1].
- Recent works like Jane Doe and Still Falling showcase the cutting edge of contemporary ballet, emphasizing diversity and innovation (SF Chronicle) [3].
- MFFCE supports digital access as a cornerstone of equity in arts and community leadership.
Actions You Can Take
At work
- Sponsor a "Watch Party": If you own a small business in Oakland, consider purchasing a bundle of digital passes for your employees as a creative "mental health break."
- Promote Local Arts: Share Smuin’s digital replay links in your company newsletter to help boost East Bay cultural events.
At home
- Cast to the Big Screen: Use a Chromecast or Apple TV to watch the replays on your main television. It turns a laptop session into a family event.
- Discuss the Themes: After watching Jane Doe, talk with your family about the themes of personhood and individuality. Use it as a conversation starter for social justice topics.
In the community
- Support Youth Artists: If you know a student interested in dance or design, gift them a digital pass. It’s a $20 investment in their youth development in Oakland.
- Advocate for Arts Funding: Sign up for alerts from the Oakland Cultural Affairs Division to stay informed about future advocacy efforts for local artists.
In civic life
- Engage with Leadership: Attend the Zoom Q&A with Celia Fushille on July 9. Ask questions about how major arts organizations can better serve Oakland’s diverse neighborhoods.
One extra step
- Become a Monthly Donor: If you have the means, consider a monthly recurring donation to MFFCE. Your support allows us to continue funding the bridge between world-class arts and grassroots community needs.
FAQ
How long do I have to watch each replay?
Each Digital Replay is available for exactly 10 days from its start date. During that window, you can watch it as many times as you like (Smuin Contemporary Ballet) [1].
Do I need a special app to watch?
No. You will receive a streaming link upon purchase that can be viewed in any standard web browser on a computer, tablet, or smartphone.
Can I share my link with others?
Streaming links are typically intended for a single household. To support Smuin’s nonprofit mission and the dancers’ livelihoods, we encourage friends and family to purchase their own access.
Is the Zoom Q&A included in the price of the first replay?
Yes, the Q&A with Celia Fushille is a featured part of the Fly Me to the Moon replay window (Smuin Contemporary Ballet) [1].
What if I have slow internet?
Most streaming platforms allow you to adjust the video quality. If you experience buffering, try lowering the resolution in the player settings.
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Disclaimer: This content is for general informational and educational purposes only and does not constitute legal, financial, tax, nonprofit, philanthropic, or other professional advice. Reading this content does not create an advisory, fiduciary, funding, or professional relationship with McFadden Finch Foundation for Community Enrichment. Because every organization, program, and community has different needs, you should consult qualified professionals regarding your specific circumstances. McFadden Finch Foundation for Community Enrichment makes no warranties regarding the accuracy or completeness of this information and is not responsible for third-party content, links, products, services, or organizations referenced. Testimonials, examples, stories, and impact statements are illustrative only and do not guarantee similar results.
Sources
[1] Smuin Contemporary Ballet, "Digital Replays July 2026 Schedule," Smuin Ballet, June 2026, https://www.smuinballet.org, Accessed June 26, 2026.
[2] Smuin Contemporary Ballet, "Fly Me to the Moon Promotion," Instagram, June 2026, https://www.instagram.com/smuinballet, Accessed June 26, 2026.
[3] Rachel Howard, "Review: Seiwert’s Still Falling takes the viewer into a universe of crystalline beauty," San Francisco Chronicle, May 2026.
[4] Garth Grimball, "Review: Jane Doe by Andi Schermoly," ODC Dance Stories, May 2026.
[5] Americans for the Arts, "The Arts and Health Outcomes," Americans for the Arts, 2024, https://www.americansforthearts.org, Accessed June 26, 2026.
[6] Americans for the Arts, "Public Opinion on the Arts," Americans for the Arts, 2024, https://www.americansforthearts.org, Accessed June 26, 2026.
[7] Arts Education Partnership, "Arts Education and Student Success," AEP, 2025, https://www.aep-arts.org, Accessed June 26, 2026.
[8] National Endowment for the Arts, "Arts Participants 2022: Digital and In-Person Trends," NEA, January 2025, https://www.arts.gov, Accessed June 26, 2026.
[9] Wallace Foundation, "Culture-Centered Youth Arts (CCYA) Program Study," Wallace Foundation, 2025, https://www.wallacefoundation.org, Accessed June 26, 2026.
[10] Smuin Center for Dance, "Our History and Mission," Smuin Ballet, 2026, https://www.smuinballet.org/about/, Accessed June 26, 2026.
[11] East Bay Community Foundation, "Emergency Arts and Culture Grants for Oakland," EBCF, 2025, https://www.ebcf.org, Accessed June 26, 2026.
[12] City of Oakland, "Cultural Affairs Division Funding Restoration," City of Oakland Official Website, June 2026, https://www.oaklandca.gov, Accessed June 26, 2026.
[13] San Francisco Classical Voice, "Smuin Contemporary Ballet Future Forward Review," SFCV, May 2026, https://www.sfcv.org, Accessed June 26, 2026.
[14] 4Pt0 Oakland, "Oakland Art Grant Portfolio: 2025 Program Impact Report," 4Pt0, 2025, Accessed June 26, 2026.
[15] Urban Institute, "Arts and Culture Indicators Project (ACIP)," Urban Institute, 2024, https://www.urban.org, Accessed June 26, 2026.
[16] Oaklandside, "Oakland Arts Funding Restored After Community Push," The Oaklandside, June 2026, https://www.oaklandside.org, Accessed June 26, 2026.
Annotated Source List
- Smuin Contemporary Ballet [1]: Primary source for replay dates, pricing, and program details.
- Smuin Instagram [2]: Social proof and promotional context for Fly Me to the Moon.
- SF Chronicle [3]: Critical review of Still Falling providing "crystalline beauty" quote.
- ODC Dance Stories [4]: Critical review of Jane Doe providing "serrate the familiar" quote.
- Americans for the Arts [5, 6]: High-authority statistics on health, wellness, and public opinion.
- Arts Education Partnership [7]: Crucial data on dropout rates and student success.
- National Endowment for the Arts [8]: Government data on digital arts participation and gateway effects.
- Wallace Foundation [9]: Research on youth arts and community belonging.
- Smuin History [10]: Foundational history of the company and Michael Smuin’s vision.
- East Bay Community Foundation [11]: Data on emergency arts funding in Oakland.
- City of Oakland [12]: Official source on cultural policy and budget restoration.
- SF Classical Voice [13]: Secondary review source for artistic leadership context.
- 4Pt0 Oakland [14]: Local impact report on youth art portfolios in Oakland.
- Urban Institute [15]: Scholarly indicators for cultural vitality and neighborhood impact.
- Oaklandside [16]: Local news coverage of the arts funding victory.
Fact-Check List
- Claim: Smuin is offering three Digital Replays in July. Source: [1]
- Claim: Single access is $20; bundles save 15%. Source: [1]
- Claim: Fly Me to the Moon runs July 3-13. Source: [1]
- Claim: Zoom Q&A with Celia Fushille is July 9 at 5:30pm. Source: [1]
- Claim: Low-income arts students have a 5x lower dropout rate. Source: [7]
- Claim: Digital arts consumption is positively associated with in-person attendance. Source: [8]
- Claim: $600,000 in emergency grants supported 600 Oakland artists. Source: [11]
- Claim: Amy Seiwert became Artistic Director for the 2024-25 season. Source: [10]
- Claim: Smuin Center for Dance opened in 2019. Source: [10]
- Claim: Rachel Howard described Still Falling as "crystalline beauty." Source: [3]
Social Sharing Pull Quotes
- "Digital replays are a masterclass in accessibility. This isn't just about convenience; it’s about equity. When we lower the barrier to entry, we invite more voices into the conversation."
- "Low-income students highly engaged in the arts have a dropout rate five times lower than their peers. When we fund digital access to ballet, we're effectively funding graduation rates."
- "The couch is the best seat in the house this summer. Smuin is serrating the familiar and bridging the digital divide, one stream at a time."